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How’s this for a threat? Fantasia is about to be wiped out and the enemy isn’t an evil wizard or a thermo-nuclear device but Nothingness. An implacable wave of Nothingness is marching down the kingdom and destroying everything in sight. Were kid movies this nihilistic back in the day?
The only thing that stands between Fantasia and Nothingness is a small boy’s faith named Bastian (Barret Oliver), who stumbles upon the kingdom from a magical bookstore. And as he begins to read the adventure between the covers, it becomes so real that the people in the story know about Bastian. How is that possible? Well, that is the very first question Bastian asks. This is a modern kid with quite a healthy amount of skepticism but what can he do when he turns the page and the Child Empress (Tami Stronach) is begging him to name her so that Fantasia can be saved.
One of the nice touches in “The NeverEnding Story” is the idea of story within a story. Another one is a child’s faith has the power to change fate.
Not since children in the audience were invited to help save Tinker Bell in “Peter Pan,” can a story’s ending be so tightly linked with a child’s wanting to believe. “The NeverEnding Story” is marvelous in several ways, but what makes it great is that is contains a lot for us to believe. It has some of the most spectacular special effects from an era when space fights and so on had become standard. Just take a look at “The Last Starfighter,” where the special effects are adequate but totally unoriginal – all the visual ideas were stolen from “Star Wars” and compare it with this movie which has an entirely different universe.
Fantasia is a world where the creatures are zoomorphic such as a pet dragon dog which can fly, or a man and his racing snail. The Muppets and B.C. are also great sources of inspiration. For example, there is a giant who eats quartz and rides on a bicycle made of granite and turns into a rock when he sleeps. Much of the special effects incorporated the use of puppets in a very sophisticated manner. Some scenes were even reminiscent of The Dark Crystal. In some aspects, these puppets are more believable than animation because they are three dimensional and form their own reality in addition to their human counterparts. That reality, in turn, helps increase the more animation, back projection, and other techniques that are more conventional such as faux pas illusions. The art direction was peculiar, but in a good Fantasia way. It suggests that a lot of vivid imagery was combined into one place. Wolfgang Petersen, the movie director, spearheaded the project. He is used to making a world in small corners since his last project, Das Boot, was about a submarine and a pirate so he spent most of his time inside a submarine.
In the realm of Fantasia, a young hero (Noah Hathaway) must complete a dangerous task: he must evade the gates of a stone amazon and make it to the Ivory Tower, where an empress will guide him on his next steps. Unlike most movies, this one includes a subplot involving a young boy reading a book. – Note: This portion has been rephrased due to exceeding word count.
However, “The NeverEnding Story” is focused on how the story unfolds, which justifies the kid in the school attic who, with a lot of eagerness, watches as the pages flip. This motivates children to understand the story does not just take place; rather, storytelling is an act that stems from creativity and can be limitless.
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