Thelma 2024

Thelma-2024
Thelma 2024

The title characters of Josh Margolin’s feature debut entitled ‘Thelma’ are clear overtures of what to expect from the film. Some may even say that the film resembles his family the entire cast & role (with the author’s message at the end being “To Thelma” meaning he quite possibly did not even bother changing his heroine’s name to anything but his grandmother). Margaret should be viewed as a coherent extremely moving and humorous love letter from a young director to the elders of this world.

What is most interesting is how the context is swiftly set about her grandson Daniel, who seems to have no serious responsibilities whatsoever with the clear age boundaries as above say, 25 generations, to be clear, he is a Gen Z – Daniel is portrayed by Fred Hechinger and Thelma at the age of 93 is June Squibb. Squibb and Hechinger have touched upon this very beautifully while the introduction of the characters deepens the relationship quite plausibly without being over the top or giving too much of a background story. This mismatch in ages can be quite appealing, as during such phases even a recently adult-ed individual and a fairly elder person tend to share a very unique perspective which can lead to interesting exchanges of ideas.

The same understanding has been presented in other contexts as well where they wonder how Tawny and Daniel are the same both fantasize about being parented because Daniel’s parents, Thelma’s daughter Gail, and her husband, Alan, are mainly responsible for infantilizing them. There’s no denying how entertaining the initial emphasis from the couple makes viewing them more enjoyable as we first meet them at work, completely separate and busy. Thus she falls victim to the phone scam and loses 10000 dollars of her hard-earned money.

“Thelma” touches very closely on the cringe-worthy scandal in which Gail and Alan find themselves questioning whether or not they ought to consider placing Telsa in an assisted living facility with the far-reaching implications of this scandal. But Thelma has another idea she decides to get her money back.

Wherever there is the laugh factor, Thelma will always be there, and it is quite evident that Josh has handed the theme of the film to Thelma. Josh Margolin, who has only one other directing credit and belongs to the improv scene, wrote, directed, and edited “Thelma”. The only surprise is his editing which has a sharp EI and a strong sense of comic timing. Margolin’s camera work is richer than life. A running joke in the film is how it mimics “Mission: Impossible” (Thelma watching Cruise sprint across Europe and wanting to do something stupid) Ian would take this style to the next level and say, the impossible mission is recovering after falling from your back. The joke is rather heart-breaking when one thinks about it, which might prove unbearable for ardent followers of the whole “Mission: Impossible” franchise they are left with a bittersweet sense of nostalgia, knowing full well what the purpose of these films is To show Tom Cruise’s persistent battle with the passage of time.

The person who finds himself on the side of crime with Thelma is Ben (Richard Roundtree), a widower and the age-old friend whose company she finds rather dull, until the moment she sees his cherry-painted 2-seater scooter.

This was the last feature film Roundtree featured in before he passed on last year aged 81. Surprisingly, he does not make fun of his famous role as John Shaft nor alludes to it in any other way and this is due to Margolin’s control. I mean, come on, I’m certain the urge was strong. This was followed with Roundtree as someone with a well-executed character and he used a wide variety that he was too seldom asked to use otherwise. It’s sweet because, as a final performance, it is quite emotional as well.

However, it goes without saying that the entire film is centered on and solely written for the actress June Squibb. To the role, she brings in 78 years of theatrical unequaled experiences which is a pleasure watching. Thelma, in contrast, is no saint she possesses neither outstanding wisdom nor qualities of the beloved Funny Old Lady, who dominated the films when I was young. Let’s not say much about the last chapter, other than the fact that it features Malcolm McDowell as her rival, who manages to play his nasty character with a combination of humor, sorrow, and cold-bloodedness. In the course of her odyssey, Thelma demonstrates violent behaviors and makes poor decisions. Nevertheless, her determination to fight her battles personally rather than being victimized can be equated to the ridiculousness of a young man in the movie who jumps between two roofs in a bid to prove a point.

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