Dreamscape (1984)

Dreamscape-(1984)
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Dreamscapeā€ is three distinct tales that all try to fit into each other. It is a political conspiracy thriller, a science fiction story, and partly, a romance tale. Most films that attempt to put together so many elements within the confines of an hour and a half often end up being incoherent, but ā€œDreamscapeā€ manages to succeed, perhaps because it has a unique sense of medley.

The filmā€™s leads include Dennis Quaid, a master in crafting feigned emotions, as the owner of unique psychic abilities. He was once the best subject of an ESP test in the laboratory of a sweet old parapsychologist (Max Von Sydow), before going missing. Now a days, he is in high demand. Government researchers secretly sponsor the most sensational groundwork for their brute strategy in a new site. They think it is possible for human beings to invade other peopleā€™s fantasies. The options are limitless. For instance, a doctor could take on the nightmares of his patients and become an eye-witness to the buried horrors. Jung followers could rub shoulders with subconscious archetypes. Lovers could visit each otherā€™s erotic dreams. And, of course, evil dreamers could drive their victims mad, or kill them with fright.

Quaidā€™s characterā€™s concerns become of secondary importance as he takes on a dream study, only to fall head over heels for Kate Capshawā€™s character. Life morphs into instant chaos as he attempts to study, and it only seems to tighten when Christopher Plummer decides to enter the picture and assumes the role of covert US Intelligence head. Itā€™s worth noting that both actors are renowned and from iconic movies. Albert, the president that Plummer is serving, is staring down the barrel of insomniac coughing, and perhaps rightfully in this instance. Because what else could he have apart from nightmares where he prematurely launches WW3? While those Are indeed dark thoughts, Plummerā€™s problems are equally dreadful he is terrified of potential pacifism infecting the great American presidency. It is rather dreadful but somewhat believable that the incredible dreamscape program could have been, and might still be, used to yank the control of the most powerful positing to a doctrine of pacifism. In any case, this blend of story is more intense than the previously bland setting of the dreams. The whole affair starts to sound more intriguing: while dreams of films are characteristically unexciting, and itā€™s somewhere between puns and cliches, ā€˜Dreamscapeā€˜ still paints a vivid picture. Just picture the absurd and surreal, the dramatic void staircase that vertically shifts plans.

The entire conspiracy against the president is a plot lifted from many other thrillers. But the use of dream invasions as a gimmick and the quality of the acting save it. Bad acting can easily make science fiction movies laughable. In this film, the characters are thrown into an absurd scenario, which is the opposite in most science fiction movies. These characters are given no limit and can behave however they want, with a specific level of intelligence. What Dennis Quaid does especially well is from the start of the movie, his facial expression already sets the mood and he assumes the role of a hero without trying to appear brave.

Listening to the lecture, I pondered on a few of my dreams while watching the movie. These include rooms with doors and windows tilted at amusing angles, railway coaches not fitting on train tracks, and other such visual illusions. I tend to have far more realistic dreams than those seen in the film. For instance, rooms and spaces have realistic proportions in his dreams, and set decorating instead of editing contains a multitude of intercutting points of view and hasty flashbacks. However, his dreams are edited in such a way that movie magic cannot tolerate. In fact, use of flashbacks and viewpoint tricks would instantly render a normal movie into a dream flick. The smoke dream, as a movie, would rather appear to look like a movie, and not like dreams. So a conventional dream language is created by the movies. A few nuts, and slightly hilarious little sighs from the smokers does sort of give these dreams a humorous giddiness. For instance, dreamscape makes quan inside a boy’s nightmare running away from a Snake Man and when they pass an adult sitting at the end of the table, the kid says: ā€œThat’s my dad. He won’t be any help.ā€

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