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Pacific Northwest’s breathtaking fauna is one of the main settings for Primal Rage. The cinematographer and co-writer, Jay Lee, made great use of the outdoors when he was capturing various shots for the movie. The storyline starts off with Ashley Carr (Casey Gagliardi) driving to pick up and meet her husband Max (Andrew Joseph Montgomery) who has just been released from prison. Max obviously isn’t a career criminal, but his time in jail and the circumstances that led him there is a sore spot in their relationship. As is expected, some mildly convincing arguing follows as Ashley drives away from the prison. Since their car is low on gas, they stop by the nearest Gas ‘n Sip in order to get gas and are immediately harassed by local redneck teenagers. After Ashley and Max have been thoroughly mocked, they continue driving while bantering until they accidentally hit a person with their car.
All right, fine. They mostly just brushed into him with the car; however, this is crucial. Putting the car to a stop and examination made it obvious that being ran over by the vehicle was perhaps a kindness for the unfortunate dude. As Ashley starts reporting the incident to 911, Max gets struck on the head by a stone while he is trying to identify who the rock thrower is. He tumbles down the slope and rolls into the river with Ashley in full pursuit, who turns into a rescue mode. She is able to get to him, pull him to safety, and set up a nice campfire to keep them both warm and free from mosquitoes as they dry off. For the whole night. Without clothes on. In the meantime, Bigfoot confiscates their vehicle. The other movie that occurs at the same time – because it feels like that – goes something like this…. An Indigenous American sheriff acted by the incredibly diligent Eloy Casados who is skeptical about the Oh-Mah a.k.a. Bigfoot legend, is stuck with a deputy Justin Rain (TV: Fear The Walking dead) who is a diehard believer. He is also neck high in unexplained cases of people going missing that his deputy credits to the legend.
An accident was reported involving a car hitting a pedestrian, so a sheriff went to the scene after receiving a 911 call. When he aries at the supposedly hidden location, there is no body, no car…nothing. Well, not until he sees Ashley’s car that Bigfoot had slyly covered with bushes. It is here that he begins his investigation and these two storylines do coincide eventually, however, they never feel like one. The Oh-Mah mythology is also bizarre in its own way and strange in how it adds depth to the film, but the execution was far from great. Each time I was jolted back into the Sheriff’s side of the story was yet another “I totally forgot about him” moment, but it could have been so much more fluid.
In any case, let’s return to Sasquatch, shall we? (By the way, this was what I was hoping for the whole time we needed to check on the sheriff). Max and Ashley are nude on the river bank. All the clothes Ashley had on are gone. That tracks. Max is decked out fully, but for some unpredictable reason, he seems to be taking everything in. No clue why, but Tammy does sound like someone who has a habit of shedding every single piece of clothing she possesses. He offers her a shirt so everything is okay in his eyes.
This pair attempts to find a path and gets lost in the woods where the local heroes from the petrol station happen to show up. They unfortunately won first prize of the camo contest for the biggest ever combination of drug dealers and low life hunters. The combination of these idiots turns out to be a peculiar mix of sexual harassment, veiled threats, and redneck jokes. Thank goodness Sasquatch starts slaughtering these imbeciles.
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